Since the invention of the tuning methods of the Hemony brothers, bells produce non-variant octaves and a prominent minor third (or, by inversion, major sixth) interval. Figuratively speaking, it is the bells themselves who become the composer- a scenario reminiscent of Enesco‘s words ―You must learn to dance in chains‖ (―Tre-buie să ştii să dansezi în lanţuri‖). 18 is a spin-off of sui generis psycho-acoustic phenomena known in campanology as the single ―strike note‖ and the upper and lower ―partials‖ of bells tuned according to the methods of the greatest carillon bell founders in the history of the Low Countries, namely, the brothers Pieter and François Hemony (who, in collaboration with Jacob van Eyck, have created the first tuned carillon in 1644). In reality, Georges Enes-co‘s Carillon nocturne op. Based on this timely coincidence, they have mistakenly labeled the music of Carillon post-debussysm, me-tatonalism, politonalism, atonalism, and even spectralism. 18) is a spin-off of the modernistic trends au courant in Europe at the time of its creation (1916). Analysts have suggested that Enesco‘s Carillon nocturne (from his untitled and unfinished Pièces impromptues, op. This article is indispensable for the correct performance of Enesco's exotic Carillon nocturne op. Traditional and Oriental models in the bell-inspired piano music of George Enescu.
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